Boobs and Bronchitis
- Apr 28
- 7 min read
Updated: Jun 13
Are you okay after copping an eyeful with the blog header pic?
It’s only me, Gemini “Tits-in-yer-face” Rose! Whatever gets the clicks in 2026, amirite?
I'm tickled pink whenever I see the view count go up on my blog posts - I can see which posts get the most clicks, thus, here's some boobs!
Not much to write about for April because I was away for most of it…and sick more or less the whole time I was gone.
It all started when I stupidly forgot to wear a mask on the completely-full-no-other-seats-available train to Palmy, and the carriage I was in was a sneezing, coughing, throat clearing hellscape. The thing is, I usually do wear a mask on public transport, but the train trip was over two hours, and...y'know.......anyway, I fucked up.
Sure enough, a few days into my Palmy stay I came down with bronchitis. Snotty, phlegmy, coughy me. On the bright side, it meant 24/7 time with Sandy aka Cass / Cassandra / Cassana / Cassie / Saundi / CassieWays / The Way of the Cass, and thankfully my Mum didn't get sick from me. Unfortunately though it meant not seeing Nan this time because of her age and the fact I was sick.
Back in Wellington now, no longer sick, and have some great things to look forward to in the first week of May - a couple of personal events as well as a dinner date booking…and who knows what else (or who else…maybe you?) will pop up over the next wee while.
I’m feeling positive and looking forward to what May and June bring for me. Hope to see you!
Site updates:
Gallery. Not a belated April Fools’…it’s actually been updated. I too am shocked.
April 2026 Movie Roundup
Rounding up all the movies I've seen this month, with brief, quick fire commentary that aims to be as spoiler free as possible.
A bumper crop this month, these were all watched while I was in Palmy.
Resolve follows Chris Crean, a young father who witnessed gang violence outside his home and chose to testify despite the risks.
He isn’t presented as a larger than life hero, just someone trying to protect his family and his community. I appreciated that the movie avoided drama for drama’s sake, choosing to keep the focus on the personal consequences of Crean’s decision as well as the personal cost of standing up when it would be easier not to.
Note: Chris Crean’s death exposed serious gaps in witness protection in New Zealand at the time, and his case helped lead to changes in how witnesses are supported.
To Wong Foo, Thanks for Everything! Julie Newmar is one of those movies that's simply a joy to watch.
The story follows three drag performers on a road trip that doesn’t quite go to plan, leaving them stranded in a small town where they unexpectedly begin to change the lives of the people around them.
What makes it work so well isn’t just the humour or the costumes, but the heart behind the story - there’s a real warmth that carries all the way through.
A big part of that comes from the performances of the three leads: Wesley Snipes, Patrick Swayze, and John Leguizamo. The camaraderie between the girls feels genuine and supportive, and you quickly start to believe in them as a little chosen family, which makes their journey all the more enjoyable to follow.
It’s also helped by a great soundtrack and a strong sense of fun throughout. The movie never loses sight of its message about kindness, confidence, and being unapologetically yourself.
This is a feel good movie in the best sense of the word. It’s colourful, generous and full of personality…and sometimes that’s exactly the kind of movie you need!
Rewatch
“I didn't say we're bigger than God, I said we're bigger than Rod. Rod Stewart"
This movie follows the story of the prefab four, known as The Rutles, who as we all know went on to become the greatest band in musical history.
So very funny, and so well observed, nailing all the various looks and music bio/documentary tropes.
Part of the fun is also spotting the unexpected cameos, including appearances from Paul Simon, Mick Jagger, and George Harrison.
One of the real standouts for me was Neil Innes, who, as Ron Nasty, absolutely nailed the tone and mannerisms of John Lennon. The voice, the delivery, the slightly offbeat presence - it’s all so well captured that it adds an extra layer of enjoyment if you’re familiar with John.
There are countless inside jokes throughout, from the silly Rutlemania sequences to affectionate send ups of their psychedelic era and famously complicated later years. That’s both part of the film’s brilliance and its only small caveat: although you don’t have to hold a PhD in Beatleology to enjoy this movie, some of the jokes might not land the same way if you’ve spent no time whatsoever in the world of fab four lore.
The Rutles: All You Need Is Cash is a parody that comes from a place of affection rather than mockery, which is what makes it work so well. It’s absolutely one of the most entertaining music mockumentaries around, packed with clever details, musical jokes, and moments that reward repeat viewing…mainly for Beatle fans.
Starring Heath Ledger, A Knight’s Tale mixes medieval jousting with modern music and attitude - an unusual trifecta if ever there was one - but it worked for me, mostly.
The supporting cast, especially Paul Bettany as Chaucer, adds plenty of humour, although some of the jokes may not land if you’re not familiar with The Canterbury Tales.
My only quibble with this movie is that it did feel overly long - the underdog story, while solid, eventually started to drag. It could’ve easily been tightened, there’s no reason this movie needed to be as long as it was.
All in all, a moderately entertaining feel good flick with a unique style…even if it overstayed its welcome a bit.
Schwing!
Crazily, this was my first time watching Wayne’s World, despite it being a movie that has lived in pop culture for decades.
The story follows Wayne and his loyal sidekick Garth, two best mates who host a low budget public access TV show from Wayne’s basement. When a slick television exec spots potential in their show, the pair suddenly find themselves dealing with fame and the challenge of staying true to themselves.
The standout moment is, of course, the car scene set to Bohemian Rhapsody - one of the greatest songs of all time. Knowing that Freddie Mercury himself reportedly saw it and gave it his approval shortly before his death only adds to the legend of it.
What makes Wayne’s World work so well is that it never tries to be anything more than a good time. It’s hilarious, it’s endlessly quotable, and it’s, well, excellent! It’s easy to see why it became such a cult favourite.
Party on! And yes… now I want a Wayne’s World cap.
***
Just as an aside, there was a scene with Wayne and Garth lying on the bonnet of a car chatting while a plane roars overhead that gave me a real hit of nostalgia. I used to do that myself back when the old Freedom Air flights from Australia landed into Palmerston North - parking up in a spot off of Milson Line and lying on the bonnet waiting for the plane to fly right over just before landing. The roar of the jets, and the heat…such a thrill! No AvSec sign = no problem! Right?
Let me preface this by stating something we all know: very rarely is the sequel as good as the original. There are exceptions of course, ie Terminator 2: Judgement Day, although to be honest I can't readily think of any other examples. (!)
Wayne’s World 2 leans even further into the silliness of the OG, and for the most part, it works.
Sure, the plot is thinner this time around (a music festival inspired by a dream is about as solid as it gets), but that’s not really the point. It’s more about the jokes, the references, and the silliness.
Again, this is the sequel, and as such it does feel a bit more hit and miss than the first, some of the novelty has worn off, but it’s still an enjoyable follow up if you liked the original.
An Angel at My Table tells the story of Janet Frame, one of New Zealand’s most distinctive literary voices. It unfolded in three parts, moving through her childhood, adolescence, and early adulthood. It was a long movie for sure, but I never felt like it dragged - which is saying a lot, as pacing is often an issue for me.
From an early love of books and storytelling through to the more complicated and isolating parts of Janet’s life, it painted a portrait of a gentle, humble woman, and one who possessed a strong sense of being slightly out of step with everything around her.
There was something quietly, subtly powerful about An Angel At My Table. It felt less like watching a story and more like spending time inside someone’s world…or at their table, if you will. (Sorry, couldn't resist)
Rewatch
La Bamba tells the story of Ritchie Valens in a straightforward, genuine way, with Lou Diamond Phillips giving an excellent portrayal of Ritchie.
The music is, unsurprisingly, a highlight, especially La Bamba and Donna. Without a doubt, Los Lobos did Ritchie’s music justice.
There’s a real sense of momentum as Ritchie’s career takes off, with the movie doing a good job of showing how quickly everything changes for him. At the same time, it keeps a thread of tension running through his personal life, so it never feels like a straightforward rise to fame story. Even in the lighter moments, there’s a sense that things aren’t entirely settled, and I guess a lot of that comes from knowing where it’s all ultimately headed :(
All in all, a solid, engaging music biopic. If you enjoyed The Buddy Holly Story (as reviewed by me here) I have no doubt you’ll enjoy La Bamba too.
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